Références
Ouvrages
Alexandre BOHAS, Disney. Un capitalisme mondial du rêve, Paris, L’Harmattan, 2010.
Connie BRUCK, When Hollywood Had a King : The Reign of Lew Wasserman, Who Leveraged Talent Into Power and Influence, New York, Random House, 2003.
Tim BROOKS, Earle MARSH, The Complete Directory to Prime Time Network and Cable TV Shows, 1946-Present, New York, Ballantine, 1999.
Laurent CRÉTON (Ed.), Le Cinéma à l’épreuve du système télévisuel, Paris, CNRS Editions, 2002.
Bernard F. Dick, City of Dreams. The Making and Remaking of Universal Pictures, Lexington, University Press of Kentucky, 1997.
Thomas P. DOHERTY, Teenagers and Teenpics. The Juvenalization of American Movies in the 1950s, Philadelphia, Temple University Press, 2002.
Douglas GOMERY, The Hollywood Studio System : A History, London, British Film Institute/Palgrave Macmillan, 2005.
Garth JOWETT, Film : The Democratic Art, Boston, Brown, 1976.
Dennis MCDOUGAL, The Last Mogul, New York, Crown, 1998 ; et Kathleen Sharp, Mr. And Mrs. Hollywood, New York, Carroll & Graf, 2003.
Thomas SCHATZ, « The New Hollywood » in : Jim COLLINS, Hillary RADNER, Ava Preacher COLLINS (Eds), Film Theory Goes to the Movies, New York, Routledge, 1993.
Julian STRINGER (Ed.), Moie Blockbuster, New York, Routledge, 2003.
Janet WASKO, Graham MURDOCK, Helena SOUSA (Eds.), The Handbook of Political Economy of Communications, Chichester, Blackwell, 2008.
Janet WASKO, Mark PHILIPS, Chris PURDIE, « Hollywood Meets Madison Avenue : The Commercialization of US Films », Media, Culture and Society, 15 (2), April 1993.
Justin WYATT, High Concept: Movies and Marketing in Hollywood, Austin, University of Texas Press, 1994.
Filmographie sélective
Steven SPIELBERG,
E.T. L’extraterrestre, 1982.
Robert ZEMECKIS,
Retour vers le futur,1985-1990.
Peter JACKSON,
King Kong, 2005.
Roman POLANSKI,
Le Pianiste, 2002.
Ang LEE,
Brokeback Mountain, 2005.
James WHALE,
Frankenstein, 1931.
Friedrich Wilhelm MURNAU,
Dracula, 1931.
Steven SPIELBERG,
Les Dents de la mer, 1975.